The shop is looking great (some “new” work tables! more organized type & spacing!) and Sarah is excited to offer two workshops in February: one beginning and one intermediate. Call or email her a.s.a.p. to reserve your space.  Also please let her know if you would like to participate in one (or both) but the date doesn’t work for you; she may be able to reschedule if enough concur. And of course feel free to contact her with any questions you have about letterpress.  She can be reached at accidentalpress at gmail.com or (503) 739-1939.

LETTERPRESS FUNDAMENTALS

Sunday, February 5th 2012
11am – 5pm with break for lunch
$65 (includes all materials)

In this workshop we will collaboratively print a poster on the Vandercook no. 2 galley proof press, learning typesetting, hand inking technique, & shop procedure in the process, plus a little typography & color theory. Participants will take home their own print or two and thereafter be qualified to use the proof press– perfect for printing linoleum and wood image blocks as well as moveable type– during supervised open studio hours.

INTERMEDIATE LETTERPRESS

Saturday, February 11th 2012
10 am – 5pm with break for lunch
$80 (incudes all materials)

This class is for those who have taken Letterpress Fundamentals (or ANY workshop from me in the past) and would like to learn to operate the Chandler and Price platen job press (or refresh their muscle memory). By designing and printing a postcard together, participants will advance their typesetting skills, learn to lock up the form, pack & ink the press, & troubleshoot until achieving ideal registration and impression. Participants will go home with an edition of at least 20 beautiful postcards and will thereafter be qualified to use the job press for their own projects during supervised open studio hours.

~ immerse yourself in letterpress and save $10 by taking both workshops in succession: $135 tuition for both. ~

Genealogy expert, Karen Martin, to teach class in January

Thanks for the interest, registration is closed, another class will be offered in the future.

The Hoffman Center will host a four-week “Introduction to Family History” course in January. Class sessions will be held on Tuesdays, Jan. 10, 17, 24 and 31, from 2:00 to 3:30 p.m. in the Hoffman House Studios next to the Manzanita Library. The tuition will be $40 for all four classes.

Instructor Karen Merrill Martin has been doing genealogy research for over 20 year. She holds a Certificate in Genealogical Studies from the National Institute of Genealogical Studies affiliated with the University of Toronto.

Martin published her first family history book in 2010 and was recently named first runner-up in a family history writing contest sponsored by Family Tree Magazine and Abbott Press.

“Family history can be many things,” said Martin. “From ‘I just want to put a scrapbook together of these old photos,’ to a scholarly text with footnotes and charts, to a novelized version of an ancestor’s life story.”

This class will offer students ideas on where to start, and help them decide where to go from there. Topics will include organizing files, protecting documents, researching vital records, making courthouse trips, and finding online resources.

“We will also discuss how to keep track of your family and your research either by hand or computer,” said Martin. “Whether you are a beginner or someone with more experience, there will be lots to learn in this class.”

For more information, contact Martin directly at kmmartin@nehalemtel.net.  Download the Genealogy_Class_Registration_Form here.

Click here to get started:  http://survey.constantcontact.com/survey/a07e4p33df8grsoiw9s/start

Gigi Rosenberg to teach Funding Your Creative Project. Photo by Heather Hawksford

Get your application postmarked by October 26th for a Special Rate!  Click here for a registration form.

Fund Your Creative Project: Grant Writing for the Visual, Literary & Performing Artist

In this hands-on workshop, held on Sunday, November 6th as part of the Dark & Stormy Beach Weekend, artists and writers learn to take a good idea and transform it into a compelling grant proposal. Discover how to research funding, decode application questions and create a budget that makes your application irresistible. Bring any writing you have about yourself or your work, including artist statement, project descriptions, or reviews, if any. Participants will have time to clarify their ideas and receive moderated feedback from the group and direct coaching from the instructor. Open to both experienced and novice grant writers.

Previous workshop participants have gotten grants to do things like:

• build a website

• fly to Europe to attend a conference

• attend an artist’s retreat

• put on a play

• hire a mentor

• take a workshop

• stage a performance installation.

The workshop will be held Sunday, November 6th, from 10 a.m. to 3 p.m., bring a brown bag for lunch. Fee is $65 for the first twelve attendees who’s registration is postmarked by October 26th; $95 thereafter.  The workshop will be at the Hoffman Center, 594 Laneda Avenue in Manzanita.  Click here for a registration form.

Gigi Rosenberg is a writer, speaker, workshop leader and grant-writing guru. Her book, The Artist’s Guide to Grant Writing, grew out of her acclaimed professional development workshops launched in Portland, Oregon, and taught in Chicago, New York and throughout the Pacific Northwest at colleges, conferences and arts organizations. Visit www.gigirosenberg.com.

Writing From Life: Flash Fiction–10 a.m. to Noon

It’s short. It’s fast, and it’s fun. Mindy will lead us through exercises to “mine our memories” for ideas. Then, we’ll take those rich ideas and turn them into pieces of flash fiction. You’ll learn about publishing markets open to Flash Fiction. This is a great workshop for writers wanting to learn more about Flash Fiction, memoir writers looking for new writing ideas, and high school writing teachers looking for new ways to teach writing.

Writing the Picture Book: 1:30 p.m. to 3:30 p.m.

Picture books are the most beloved story form of children’s writing. But, how easy is it to write a picture book and how can the knowledge of picture book writing help writers who are working on longer stories? Join Mindy to learn to create a memorable character and how to structure a picture book. The workshop is perfect for writers and educators who want to better understand how to work with and teach the elements of story.

Mindy Hardwick to teach Flash Fiction and The Picture Book

Mindy Hardwick is a published children’s writer and educator. Her middle grade novel, Stained Glass Summer is due out December 2011, and her young adult contemporary romance novel, Weaving Magic, will publish April 2012. Mindy has facilitated a poetry workshop with teens at Denney Youth Juvenile Justice Center for five years. Her flash fiction and narrative non-fiction about the youth has been published with Between the Lines and Glass Cases. Mindy is co-editor of four anthologies, written by the youth, entitled, Call It Courage, I Am From, Because I Wanted to Be Loved, and Please Brave Me, Don’t Cry. Visit Mindy at: www.mindyhardwick.com

Gigi Rosenberg to teach Funding Your Creative Project on Sunday, November 6th. Photo by Heather Hawksford

Sign up for this workshop before October 24th for a Special Rate!  Click here for a registration form.

Fund Your Creative Project: Grant Writing for the Visual, Literary & Performing Artist

In this hands-on workshop, held on Sunday, November 6th as part of the Dark & Stormy Beach Weekend, artists and writers learn to take a good idea and transform it into a compelling grant proposal. Discover how to research funding, decode application questions and create a budget that makes your application irresistible. Bring any writing you have about yourself or your work, including artist statement, project descriptions, or reviews, if any. Participants will have time to clarify their ideas and receive moderated feedback from the group and direct coaching from the instructor. Open to both experienced and novice grant writers.

Previous workshop participants have gotten grants to do things like:

• build a website

• fly to Europe to attend a conference

• attend an artist’s retreat

• put on a play

• hire a mentor

• take a workshop

• stage a performance installation.

The workshop will be held Sunday, November 6th, from 10 a.m. to 3 p.m., bring a brown bag for lunch. Fee is $65 for the first twelve attendees who register by October 24th; $95 thereafter.  The workshop will be at the Hoffman Center, 594 Laneda Avenue in Manzanita.  Click here for a registration form.

Gigi Rosenberg is a writer, speaker, workshop leader and grant-writing guru. Her book, The Artist’s Guide to Grant Writing, grew out of her acclaimed professional development workshops launched in Portland, Oregon, and taught in Chicago, New York and throughout the Pacific Northwest at colleges, conferences and arts organizations. Visit www.gigirosenberg.com.

Patricia and Vince Wixon will be teaching a free poetry workshop on Saturday, October 15.

The Oregon Poetic Voices Project (OPV) will host a free writing workshop, open to the public, at The Hoffman Center (594 Laneda Avenue) on Saturday, October 15, from 1-3 pm. There will also be a recording studio set up across the street in the Hoffman House Studios Classroom on Friday from 4:30 to 6:30 pm, and on Saturday from 3:30 to 5:30 pm. for members of the community to record original poetry. Poets may record up to four poems, at no expense, to be included in the OPV archive, which is hosted by Lewis & Clark College and available on the web at www.oregonpoeticvoices.org.

On Saturday, October 15, from 1 pm to 3 pm, Vince Wixon will facilitate a Poetry Workshop called “Getting Started and Keeping it Going”.

Vince is the author of two books of poetry, The Square Grove (2006) and Seed (1993), as well as a recent chapbook, Blue Moon, 29 poems developed from lines from the Chinese masters (Wordcraft of Oregon, 2010). He has poems in three anthologies, including From Here We Speak: An Anthology of Oregon Poetry. With Paul Merchant, Wixon co-edited William Stafford’s Crossing Unmarked Snow: Further Views on the Writer’s Vocation (Michigan, 1998) and The Answers Are Inside the Mountains (Michigan, 2003) and helped edit Stafford’s The Way It Is: New and Selected Poems (Graywolf, 1998). Wixon is also co-producer of two videos on William Stafford, What the River Says and The Life of the Poem, and one on Lawson Inada, What It Means to be Free. He and his wife Patricia are long-time poetry editors for “Jefferson Monthly,” the Jefferson Public Radio program guide. The couple has spent more than three decades bringing poets and poetry-related events to the Rogue Valley area and the past decade promoting the works of Oregon’s most famous poet, the late William Stafford. They live in Ashland, Oregon.

Oregon Poetic Voices will also have a recording studio set up on the premises, from 4:30 to 6:30 pm on October 14, and from 3:30 to 5:30 pm on October 15. All poets, published or not, are welcome to record. This will be a first-come, first-serve event and poets will have about fifteen-minutes allotted to them. Poets should consider these time constraints when deciding which works they want to record.

All participants must be prepared to sign a waiver to allow the recordings and texts to be displayed on the website (www.oregonpoeticvoices.org). Please also bring paper copies of the poems and a biographical statement. All participants will be mailed a CD of their readings at a later date.

Recognizing the need for poetry in our lives, the Oregon Poetic Voices Project (OPV) began in 2010, in order to create a comprehensive digital archive of poetry readings that will complement existing print collections of poetry across the state. This sound archive is available online to Oregonians of all ages and geographic locations at libraries, in schools, at home, or visiting the State Library Poetry Room. OPV is funded by the Library Services and Technology Act FFY2011.

For more information, please direct any questions to Poetry Project Fellow, Melissa Dalton at 503-768-8190 or mdalton@lclark.edu. All poets are also welcome to schedule an individual appointment to record in the OPV office, located on the Lewis & Clark campus in Portland, Oregon.

Local artist Lynn Thomas to teach monotype class in October

Monotypes are prints made using printer’s inks, painted directly on a plexiglass plate, and printed on a press. Water based inks are used in this process, and are not only easy to clean up, they are a fun and forgiving medium which encourages experimentation. NO EXPERIENCE NECESSARY.

The classes will be held on 3 consecutive Wednesdays, October 19, 26 & November 2 from 1:00 pm to 4:00 pm at Lynn’s studio at the Hoffman House, across the street from the Hoffman Center. The cost is $45 per session, or $120 for all three sessions.  To register, download this registration form and mail it in to the Hoffman Center at PO Box 678, Manzanita, 97130.

The first session will introduce the inks, the tools, and the press.

The second session will provide an opportunity to work in a painterly way with brushes.

The third session will explore the use of stencils, demonstrate the viscosity method, and discuss how to set up a home studio.

Please bring an image (photo, sketch) or an idea to the first class.

For additional information about the class, contact Lynn Thomas directly at 503.812.4240.

About the Instructor

Lynn received her BA in printmaking from Marylhurst University. She taught printmaking at Pacific Northwest College of Arts in Portland from 2004-2006 and in her Portland home studio from 2004-2007. She received a Gordon Gilkey Award from the Portland Art Museum for her printmaking in 2004. After moving to Nehalem permanently in 2008, Lynn opened “Green” Printmaking studio in Wheeler where she taught several one day workshops. In 2010 she moved into a studio in the Hoffman Center. In spring of 2010 she taught a printmaking class based on the figure.

Lynn derives ideas for her monotypes from feelings, thoughts, and experiences with nature and personal relationships. Many of her prints begin with one or two textural shapes or figures. A dialogue between forms is sometimes suggested, inviting the viewer to add their own thoughts and feelings to the composition. Lynn uses various plate surfaces to develop her subject matter, including wood veneer (Nehalem Valley) and textured plexiglass (Beyond the Surface). She also likes to work using a resist method and large rollers, which allows for a greater degree to movement and rhythm in her work (New Mexico Series). Ultimately, Lynn strives to create works on paper that are interesting, thought-provoking, and beautiful.

LETTERPRESS FUNDAMENTALS
THURSDAY, SEPTEMBER 22nd. 11am -4pm, $60

Only two spots left!

By designing and printing a poster together, participants in this class will learn typesetting of both metal and wood moveable type, hand inking technique, shop procedure, and operation of the Vandercook no. 2 galley proof press (& the badass 26in Chandler and Price lever paper cutter!). We will also cover basic typography, some printing history. & a little color theory. Participants will thereafter be qualified to use the proof press– perfect for printing linoleum and wood image blocks as well as type– during supervised open studio hours.

email me to register, or comment on the website announcement
thanks!

Sarah (Skye) Archer
accidentalpress ‘at’ gmail.com
http://accidentallibrary.com/peoplesprint

p.s.  look out for another Intermediate class in October, & maybe even an Advanced/Digital Letterpress (printing with photopolymer plates) workshop if there is interest..

Miriam Gershow leads short story workshop

Join us Saturday, September 17, 2011, from 11 to 130pm to learn how to write and publish short stories.

Spend the first half of the workshop using writing prompts to generate short story ideas. The second half will focus on how and where to place your short fiction. The fee for the workshop is $25.

Miriam Gershow is a novelist, short story writer and teacher. Her stories appear in The Georgia Review, Quarterly West, Black Warrior Review, Nimrod International Journal, The Journal, and Gulf Coast, among other journals. Miriam’s stories have been listed in the 100 Distinguished Stories of The Best American Short Stories 2007 and appeared in the 2008 Robert Olen Butler Prize Stories.

Miriam is the recipient of a Fiction Fellowship from the Wisconsin Institute for Creative Writing, as well as an Oregon Literary Fellowship.

She received her MFA from the University of Oregon. She taught fiction writing at the University of Wisconsin as well as descriptive writing to gifted high school students through Johns Hopkins University. She currently lives in Eugene with her husband and son, where she writes and teaches writing at the University of Oregon.

Saturday evening, Gershow will read from her new novel, The Local News, at 7pm at the Manzanita Writers’ Series at the Hoffman Center.

To register for the workshop, download the registration form here.

Click here for the 2011 Schedule.   If you’re planning to attend the workshop, contact vwildauer@gmail.com.  Contact Kathie Hightower at (503) 739-1505 or kathie@jumpintolife.net for more information.